After years of constant movement, the pandemic brought an unexpected stillness. Painting returned almost naturally, reconnecting me with a part of myself that had been waiting for more than twenty years.

Pouring first attracted me through its freedom, colour and unpredictability. I wanted to preserve that exuberance while developing enough control to make the process my own.

Science taught me to look for relationships: how individual elements interact, organise and become part of something larger. That way of seeing has quietly entered my painting.

In Hebrew, the word for face — panim — is grammatically plural. I love the idea that one face can contain several lives.